ARSC Education and Training Committee Pre-Conference Workshops (ARSC)
2012 | Rochester, New York
Access Pre-conference Recording (requires log-in)
COPYRIGHT AND SOUND RECORDINGS
May 16, 2012
Peter Hirtle, Senior Policy Advisor, Cornell University Library
Copyright and Sound Recordings
Brandon Butler, Association of Research Libraries (ARL)
The Code of Best Practices in Fair Use for Academic and Research Libraries:
A Very Short Introduction
David Hansen, UC Berkeley Law's Digital Library Copyright Project
Orphan Works Challenges for Use of Recorded Sound Collections
David Levine, Elon University School of Law and the Center for Internet and Society at Stanford Law School
SOPA, PIPA, ACTA and TPP: The Creation of IP Law in 2012
Ray Ricker, Senior Associate Dean for Professional Studies, Director of the Institute for Music Leadership and Professor of Saxophone at the Eastman School of Music
The Wild West Web: A Working Musician's Point of View
2011 | Los Angeles, CA UCLA Ethnomusicology Archive
AUDIO ARCHIVES 101: IDENTIFICATION, ORGANIZATION, PRESERVATION
May 11, 2011
Cassandra Gallegos, George Blood Audio and Video
What's That?! Identifying Audio Formats
Jacob Nadal, Preservation Officer, UCLA Library
Preservation Assessment of Media and Mixed Archival Collections
Toby Seay, Asst. Professor, Drexel University, Music Industry Program
The Foundations of Sound Recording Migration
2010 | New Orleans, LA Tulane University
A WORKSHOP ON DISASTER PLANNING AND RECOVERY FOR AUDIO MATERIALS
May 19, 2010
Bruce Raeburn, Hogan Jazz Archive, Tulane University
Alfred Lemmon andMark Cave, Historic New Orleans Collection
Greg Lambousy, Louisiana State Museum
Disaster Recovery after Hurricane Katrina
Disaster Plans, Disaster Training and Disaster Response
The Louisiana State Museum, Hurricane Katrina, and the New Orleans Mint
Marlan Green, Audio-Visual Preservation Specialist, Conservation Division,
Library of Congress
Vendors and Barcodes: Keeping Track of Your Collection
Aaron Bittel, Archivist-Librarian, UCLA Ethnomusicology Archive
Tony Seeger, Professor of Ethnomusicology at UCLA and Director of the UCLA Ethnomusicology Archive
Group Exercise: Administrators v. Audio Archivists A Mock Debate on Funding for Disaster Preparedness
Marlan Green, Audio-Visual Preservation Specialist, Conservation Division,
Library of Congress
Mold Remediation and Other Recovery Methods for Audio Materials
George Blood, Jamie Madden, Lance Christensen, and Rebecca Smith
Hands-on for Disaster Recovery: What to Do After the Disaster!
2009 | Washington, D.C. - No workshop this year
2008 | Palo Alto, California - Stanford University
A WORKSHOP ON FUNDING, PARTNERSHIPS, AND DISSEMINATION FOR AUDIO PRESERVATION
March 26, 2008
Kristin Murphy, Grant Officer, GRAMMY Foundation
Music and the Recorded Sound Heritage of the Americas: Preservation Planning and Implementation Funding
Charles C. Kolb, Senior Program Officer, National Endowment for the Humanities
Recorded Sound Collections: Preservation and Access Funding Opportunities
Rachel L. Frick, Senior Program Officer, National Leadership Grants,
Institute of Museums and Library Services
Recorded Sound and the Digital Library: Success Stories of the
National Leadership Grant Program
Adi Gevins, Coordinator of the Pacifica Radio Archives Preservation and Access Project
Gary Handman, Director, Media Resources Center, UC Berkeley, Moffitt Library
Save Our Sounds: The Pacifica Radio Archives Preservation & Access Project
Gene DeAnna, Head, Recorded Sound Section, Library of Congress,
National Audio Visual Conservation Center
Acquisitions Partnerships: Collaborative Strategies for Preservation and Access
Bruce Gordon, Audio Engineer, Eda Kuhn Loeb Music Library, Harvard University
Modeling Cooperation: What Does Partnership Look Like?
Steve Zeitlin, Executive Director, City Lore
Preserving America's Cultural Traditions:
A Collaborative Archival Initiative of the Nation's Folklife Centers
Tom Diamant, Digital Archiving Director of the Arhoolie Foundation's Strachwitz Frontera
Encyclopedia of Mexican and Mexican American Recordings
The Arhoolie Foundation's Frontera Project: How a small non-profit with no money,
no paid staff, and little experience was able to find funding to free its archive from a
locked vault and share it with the world
2007 | Milwaukee, Wisconsin - Irish Music Fest
A WORKSHOP ON THE PRESERVATION OF AUDIO IN THE DIGITAL DOMAIN
May 2, 2007
Mike Casey, Associate Director for Recording Services, Archives of Traditional Music, Indiana University,
and Co-chair, ARSC Technical Committee
Standards and Best Practices for Audio Preservation
Dave Nolan, Audio Archivist, 92nd Street Y, New York
Choosing the Right Tools for the Job: Archival Audio Equipment Solutions for Most Budgets
John Spencer, President, BMS/Chace
Jon Dunn, Associate Director for Technology, Digital Library Program,
Indiana University Libraries, Indiana University
Storage Solutions and Data Management
Paul Mahern, Sound Directions Audio Engineer, Archives of Traditional Music
Ronda Sewald, Sound Directions Project Assistant, Archives of Traditional Music
Mike Casey, Associate Director for Recording Services, Archives of Traditional Music
Jon Dunn, Associate Director for Technology, Digital Library Program
George Blood, Safe Sound Archive
Preservation Workflow: The Sound Directions Project at Indiana University
2006 | Seattle, Washington - University of Washington School of Music
A TUTORIAL ON THE PRESERVATION OF AUDIO IN THE DIGITAL DOMAIN
May 17, 2006
Mike Casey, Associate Director for Recordings Services, Archives of Traditional Music, Indiana University
Introduction: How We Got From ARSC/AAA to IASA TC-04
Konrad Strauss, Director, Recording Arts Department,
Indiana University Jacobs School of Music
Computers, Converters, Cards and Cables: Equipment Considerations for Signal Capture in the Digital Domain
David Ackerman, Audio Preservation Engineer, Archive of World Music,
Harvard University
Sara Velez, Assistant Chief, Rodgers and Hammerstein Archives of Recorded Sound, New York Public Library
Mike Casey, Associate Director for Recordings Services, Archives of Traditional Music, Indiana University
Technical Metadata for Audio Preservation
John Spencer, President, Bridge Media Solutions Inc.
Jon Dunn, Associate Director for Technology, Digital Library Program,
Indiana University Libraries
Storage Solutions and Data Management
2005 | Austin, Texas - University of Texas at Austin
THE ASSESSMENT, PRESERVATION AND ACCESS OF AUDIO COLLECTIONS IN THE DIGITAL AGE: AN ARCHIVAL CASE STUDY
March 30, 2005
Education & Training Committee member Mike Casey will present a tool that he developed at the Indiana University Archives of Traditional Music, to assess audio collections at risk and prioritize formats for preservation.
To round out the program a team from the University of Missouri-Kansas City
will discuss various aspects of their Voice of World War II website.
Rob Ray will talk about the creation of digital library projects.
Chuck Haddix will speak on the actual transfer of original audio formats to wave files.
Wendy Sistrunk will discuss the creation of metadata style sheets for
digital audio and the relationship to the library's OPAC.
2004 | Cleveland, Ohio - Joint Conference with Society of American Music
TOPICS IN ORAL HISTORY AND MUSIC FIELD RECORDINGS
March 10, 2004
Adrian Cosentini, Chief Audio Engineer, Vidipax
Field Recording Equipment and Techniques
John Neuenschwander, Professor of History, Carthage College, Kenosha, Wisconsin,
Lawyer and Author of "Oral History and the Law"
Oral History and Copyright Issues in a Digital Environment
Vivian Perlis, Founding Director of the Oral History, American Music Project at Yale University and
Author of "Charles Ives Remembered: An Oral History"
Discussion On Oral History and American Music Fields
Cullen Strawn, Ethnomusicological Video for Instruction and Analysis (EVIA),
Digital Archive at Indiana University, Bloomington, Indiana
Creating Field Recordings: Problems and Issues in Various Field Recording Environments
2003 Philadelphia, PA - University of Pennsylvania
PRECONFERENCE AUDIO WORKSHOP
May 28, 2003
Gary Galo, Audio Engineer, Crane School of Music, SUNY
Joseph Patrych, Recording Producer, Patrych Sound Studios, New York City
Dennis D. Rooney, Independent Audio Producer and Consultant
Seth B. Winner, Preservation Engineer with Rodgers and Hammerstein Archives of Recorded Sound,
New York Public Library
Audio Preservation: Technical Issues Facing the Institutional Archivist
David Seubert, Curator, Performing Arts Collection, Davidson Library,
UC Santa Barbara
Designing and Managing an Audio Preservation Program
Linda Tadic, Director of Operations, ArtSTOR
The Sound Recordings Permissions Process
2002 | Santa Barbara, California - University of California, Santa Barbara
BASIC CARE AND MANAGEMENT OF SOUND RECORDINGS
May 8, 2002
Steve Weiss, Sound and Image Librarian, University of North Carolina at Chapel Hill
Care and Handling of Audio
Samuel Brylawski, Head of the Recorded Sound Section, Library of Congress
Intellectual Property and the Sound Archive
Konrad Strauss, Director of Recording Arts, Indiana University
Digital Audio Theory for the Lay Person
Peter Alyea, Audio-Visual Production Specialist and Senior Studio Engineer,
Library of Congress
A Look at Digital Audio Workstations
2001 | London, UK - The British Library - Joint Conference with IASA No workshop this year
2000 | Chapel Hill, North Carolina - University of North Carolina at Chapel Hill
BASIC CARE AND MANAGEMENT OF SOUND RECORDINGS
May 31June 2, 2000
Sam Brylawski, Head, Recorded Sound Section, Library of Congress
The Role and Place of Sound Collections in your Institution
Peter Kiefer, Coordinator, Fred Waring's America, Pennsylvania State University
Sound Carriers and Their Use: An Historical Survey
Sara Velez, Assist. Chief, Rodgers and Hammerstein Archives of Recorded Sound,
New York Public Library for the Performing Arts
Choosing Formats
Jim Farrington, Head, Public Services, Sibley Music Library, Eastman School of Music
Factors and Standards Affecting the Longevity of Your Sound Collections
Sam Brylawski, Head, Recorded Sound Section, Library of Congress
Prioritizing Your Sound Collection's Preservation Activities
Sara Velez, Assist. Chief, Rodgers and Hammerstein Archives of Recorded Sound,
New York Public Library for the Performing Arts
Copyright and Access
Panel Discussion with Presenters
Emerging Issues with Sound Collections
